Latest articles by Miriam Balanescu
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Kelly Reichardt’s The Mastermind is an art heist about apathy and privilegeIn 'The Mastermind', four stolen artworks by Arthur Dove are a revealing plot point
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Gangsters were cinema’s first immigrants but Aronofsky’s Caught Stealing forgets why'Caught Stealing' pays homage to the immigrant gangster genre but can’t compete with its greats
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David Cronenberg’s ‘The Shrouds’ is the film for our post-truth digital ageThe film director draws on his own experience of grief for this techno conspiracy thriller
