Latest articles by Miriam Balanescu
-
Kelly Reichardt’s The Mastermind is an art heist about apathy and privilege
In 'The Mastermind', four stolen artworks by Arthur Dove are a revealing plot point
-
Gangsters were cinema’s first immigrants but Aronofsky’s Caught Stealing forgets why
'Caught Stealing' pays homage to the immigrant gangster genre but can’t compete with its greats
-
David Cronenberg’s ‘The Shrouds’ is the film for our post-truth digital age
The film director draws on his own experience of grief for this techno conspiracy thriller
