Latest articles by Miriam Balanescu
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Gangsters were cinema’s first immigrants but Aronofsky’s Caught Stealing forgets why
'Caught Stealing' pays homage to the immigrant gangster genre but can’t compete with its greats
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David Cronenberg’s ‘The Shrouds’ is the film for our post-truth digital age
The film director draws on his own experience of grief for this techno conspiracy thriller
