Sandro Miller's 'Homage: Malkovich and the Masters'

David Bailey / Mick Jagger “Fur Hood”, Diane Arbus / A Young Man in Curlers at Home on West 20th Street, N.Y.C — Pictured left: David Bailey / Mick Jagger “Fur Hood” (1964), 2014. Right: Diane Arbus / A Young Man in Curlers at Home on West 20th Street, N.Y.C (1966), 2014

(Image credit: Yancey Richardson gallery)

Yancey Richardson gallery in New York is currently presenting ‘Homage: Malkovich and the Masters’, which features photographer Sandro Miller’s images of the actor John Malkovich as other well-known figures.

At New York photography gallery Yancey Richardson, a very well-known Philippe Halsman portrait of Salvador Dalí looks a little off. While the late surrealist’s unmistakable moustache is in exactly the right place, it’s on the wrong face. It’s actor John Malkovich, actually, posing for commercial photographer Sandro Miller.

Until 1 July, Yancey Richardson presents ‘Homage: Malkovich and the Masters’, a sample of Malkovich and Miller’s 2014 collaboration that was recently published as the book The Malkovich Sessions, by Glitterati Incorporated. Together, they had recreated 41 of some of history’s most iconic portraits, including Halsman’s Dalí.

Rather than Miller simply superimposing Malkovich’s face directly into the photos, however, the actor fully assumed each role – makeup, wardrobe, posture, expression – for the camera: Bert Stern’s Marilyn Monroe, Annie Leibovitz’s naked John Lennon and Alberto Korda’s Che Guevara among them. For his part, Miller did his research over the course of a year, scrutinising each image’s lighting, composition and finish. His goal was to align his works with the originals in the minutest detail, with minimal digital intervention.

Malkovich has been Miller’s muse for decades. The two first met at Chicago’s Steppenwolf Theater Company in the late 1990s, and have embarked on numerous collaborations, including a Nikon ad and a handful of films.

‘I have done nudes of John. I have dressed John like Henry VII, I have dressed John like the devil. And I once suspended John from a cross,’ Miller told the Chicago Tribune when the series debuted in 2014. ‘And John's never said no.’

Bert Stern / Marilyn with Pink Roses, Pierre et Gilles / Jean Paul Gaultier — Pictured left: *Bert Stern / Marilyn with Pink Roses (1962),* 2014. Right: *Pierre et Gilles / Jean Paul Gaultier (1990)*, 2014

The 2014 collaboration was recently published as a book, The Malkovich Sessions. Together, they recreated 41 of some of history’s most iconic portraits.

Alberto Korda / Che Guevara, Dorothea Lange / Migrant Mother, Nipomo, California — Pictured left: *Alberto Korda / Che Guevara (1960)*, 2014. Right: *Dorothea Lange / Migrant Mother, Nipomo, California (1936)*, 2014

For his part, Miller did his research over the course of a year, scrutinising each image’s lighting, composition and finish. His goal was to align his works with the originals in the minutest detail, with minimal digital intervention.

Annie Leibovitz / John Lennon and Yoko Ono, Philippe Halsman / Salvador Dal&iacute; — Pictured left: *Annie Leibovitz / John Lennon and Yoko Ono (1980)*, 2014. Right: *Philippe Halsman / Salvador Dalí (1945)*, 2014

Malkovich has been Miller’s muse for decades. The two first met at Chicago’s Steppenwolf Theater Company in the late 1990s, and embarked on numerous collaborations, including a Nikon ad and a handful of films.

INFORMATION

’Homage: Malkovich and the Masters’ is on view until 1 July. For more details, visit Yancey Richardson’s website

Photography courtesy of the artist and Yancey Richardson gallery

ADDRESS

Yancey Richardson Gallery
525 West 22nd Street
New York, NY 10011

VIEW GOOGLE MAPS

TOPICS