Bespoke Partnership
In an industry steeped in tradition, Ressence puts simplicity first
Founder Benoît Mintiens explains why Ressence starts not with the mechanics of watchmaking, but with the person wearing the watch – and uses complex engineering to make telling the time simpler
In Partnership With Ressence
There is an appealing contradiction at the heart of Ressence. Its watches can be mechanically complex, but founder Benoît Mintiens would rather you didn’t notice. What matters is something considerably simpler: can you look at your wrist and immediately tell the time?
For Mintiens, an industrial designer rather than a traditionally trained watchmaker, this distinction is fundamental. Before founding Ressence in 2010, he worked across fields ranging from high-speed trains and aircraft interiors to medical equipment and furniture. The object changed, but the starting point remained the same: the person using it.
‘We design the relationship first, and then we design the product,’ he says. ‘If you start from the human being, you know the product will be adopted. If you start with the technology, you might create something impressive, but you can miss the primary mission.’
It explains why a Ressence looks unlike most mechanical watches. There are no conventional hands stacked above a static dial. Instead, the brand’s patented Ressence Orbital Convex System (ROCS) uses continuously revolving discs to present information across a single graphical surface. Even the familiar crown at three o’clock disappears, with winding and setting integrated into the caseback.
The approach becomes particularly striking in the ‘Type 3’ and ‘Type 7’, where the display is suspended in oil. Because oil and sapphire glass have similar optical properties, refraction is dramatically reduced, making the indications appear almost as though they are sitting directly on the crystal. It is an elaborate mechanical solution to an ordinary problem: making a watch easier to read.
Ressence ‘Type 7’ in Cactus
The ‘Type 7’ applies the same thinking to the life of a frequent traveller. Its grade-five titanium construction keeps it light, while a GMT display provides a second time zone and water resistance means it can remain on the wrist no matter what life throws at you. The ambition, Mintiens explains, is for a watch to become an everyday companion: something so intuitive and comfortable that ‘you forget it’s there, until you need it’.
The new ‘Type 10’ takes Ressence’s oil-filled approach into more exclusive territory. Developed over four years, it is the brand’s first oil-filled watch powered by its own movement, combining the in-house RW-04 calibre with an oil-filled ROCS module. The result is a remarkable amount of engineering beneath a deliberately restrained exterior, rendered in a deep, monochromatic ‘Dark Night’ blue across the case, dial and integrated strap. Limited to just 100 pieces, it feels less like an exercise in adding complexity than a distillation of everything Ressence has been exploring: how far can engineering be pushed while the experience remains instinctive?
That development also points towards the ‘Type 11’, which houses the RW-01, Ressence’s first movement developed specifically to power the ROCS – integrating mechanism and display more closely rather than treating them as separate exercises.
Ressence ‘Type 11’
In an increasingly digital world, there is something compelling about expending this much ingenuity on a mechanical object whose fundamental purpose remains unchanged. Mintiens talks about our ‘empathy for gears’: unlike an integrated circuit, mechanics can be observed, understood and, perhaps, emotionally grasped.
Ressence’s proposition is therefore not really about rejecting technology or tradition. It’s about asking a deceptively simple question of both: what is this actually for? The answer is sitting on your wrist. Sometimes, you just need to know the time.
Discover Ressence and its approach to watchmaking at ressencewatches.com.
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Gavin Hastings is Bespoke Copywriter at Wallpaper* and has a wealth of experience from the luxury space, having previously worked with high-end brands including COS, Zegna, and Gucci to create impactful, modern content.
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