When Samsung’s The Frame goes in to ‘Art Mode’, it is not just a matter of the Ultra-High Definition (UHD) screen cleverly switching from one function to another. As the TV makes its seamless, automatic transition from moving image to perfectly rendered artwork, The Frame also makes subtle but significant changes to its surrounding environment. Users are encouraged to change the way they look at the screen, engendering a new appreciation of what they are seeing.
In a conventional art gallery situation, suggests curator Elise Van Middelem, you might be unfamiliar with the aesthetic, the ambiance, the stark formality of the presentation. ‘Walking into a gallery can be overwhelming, but The Frame allows you to consume art in your own time, in your own space and on your own terms,’ she says. ‘When you buy The Frame TV, it comes into your home. You create an ecosystem. You add a layer of an experience to whatever exists already. The threshold and the way we consume art becomes less intimidating.’
Van Middelem, a San Francisco-based site-specific artist and curator, worked closely with Samsung to find more than 100 pieces of art and photography across ten different genres to be scanned at 4,000k resolution and displayed on The Frame’s screen in UHD. Her mission was to connect with artists and users all over the world to collect exciting and inspiring images, working with the artists to scale the pictures for The Frame’s specific ratio while ‘also keeping the integrity and intelligence of those artworks alive’.
‘I wanted to combine different mediums – painting, charcoal, photography, drawing – and to find diverse artwork that transcends stock photography, explains Van Middelem. I looked at landscape, architecture, digital art, aerial art, urban, abstract, still life, action and wildlife... I also had to make sure that there was a balance between male and female.’
Minimalist interiors photographer Luisa Lambri, architectural specialist Todd Eberle, the estate of Chinese legend Fan Ho, and Californian graffiti artist Barry McGee were all asked to contribute pieces. Says McGee, ‘My work is not inspired by consumerism but anti-consumerism, so the fit with a huge tech company was interesting, to say the least. But I think what Samsung has done is what all galleries and art institutions long to do – redefine how we receive the undefinable’.
To satisfy her passion and appreciation of graphic work – patterns and op art, both folk and contemporary – Van Middelem also chose aboriginal artist Sarrita King and Tobias Rehberger, recipient of the Golden Lion award at the Venice Biennale back in 2009. With much of Rehberger’s distinctive work based on sharply delineated, graphic lines and bold, parallelised colour blocks, the German artist seemed a perfect match for The Frame’s 4,000k UHD and one billion colours capability.
‘I'm very pleased with how the work is reproduced,’ says Rehberger, who acknowledges that the way his work was presented on The Frame neatly harked back to its original creative process, ‘which nowadays is a mix between digital and analogue,’ he says. ‘It starts with a kind of hand sketch, but then very quickly it goes to the 3D team who develop it digitally. So, to reduce the patterns and designs of my work for use on The Frame was not difficult because, in a way, it was the same way I see them on screen during that creative process.’
From the artist’s hand to your living room wall, Samsung’s The Frame is a contemporary art gallery... curated by you.
A positive and pleasurable user experience (UX) is central to the design of Samsung’s The Frame television. With Jimin Kim, senior visual designer at Samsung Electronics, in charge of the matter, a holistic philosophy was key. Working with her team at the Samsung Customer Experience Lab, she created The Frame’s UX to make its operation desirable and pleasing. ‘Every single graphic element I designed for The Frame was based on the core of the product,’ she explains. ‘We were designing the TV as an object that fully integrates into people’s personal space, so we wanted to do more with fewer elements. To provide a content-centric, personalised, fluid experience to the user.’
Employing state-of-the-art technology, Samsung’s The Frame is a thing of slender, high-definition, picture-perfect beauty. With its 4K Ultra HD certified technology, the screen delivers a viewing experience that is sharper and four times more detailed than conventional Full HD. Moving and static images come alive on your wall, with both bright and dark scenes presented with incredible clarity. The Frame sits flush against the wall, just like a professionally hung artwork. A simple but handsomely executed picture-frame moulding (in your choice of finish, such as walnut, beige wood, or white) raises the screen’s glass to art-gallery standard.
When The Frame is not in conventional operation – streaming films or catching up on broadcast news channels – it can be switched to Art Mode. So instead of fading to a dull black like a regular TV, The Frame’s display transforms into a work of contemporary art, with users granted access to more than 100 custom-designed digital images in the Samsung Collection. Samsung is also partnering with galleries and museums all over the world to help users curate their own gallery of pictures with over 600 pieces of art available in the Art Store.
The Samsung Customer Experience Lab team visited art galleries for inspiration. ‘Because our content is the art, we really tried to emphasise it in the digital space,’ says Kim. ‘We referred a lot to what museums and galleries do – how design environments make the art the star of the space.’
They observed the angle and positioning of lighting, how curators use coloured backgrounds to highlight and enhance artworks in different spaces and adapted what they saw to domestic settings. Because The Frame was such a huge collaborative project, the Samung UX designers worked closely with an array of disciplines and talents to consider the psychological aspects of the product – user behaviour, needs and motivations. ‘We actually brought people right into our user lab to learn about their experience and the product,’ says Kim. ‘From that point, we could design The Frame to be a really easy and pleasurable product for everyone to navigate and enjoy.’
The way we watch TV has changed, and television design is changing too. No longer the focal point of a room, but more a functional and decorative element of our interior design, a TV must look beautiful, work effortlessly and blend in with its surroundings, complementing a room’s aesthetics, materials and ambience.
Yun-Je Kang, Head of Design in Visual Display at Samsung Electronics, and his team have been watching the way people watch TV very closely over the past few years; observing living spaces and the lives, schedules, interests and habits of their products’ users. ‘We found out that, on average, a TV is only used for around five hours a day,’ says Kang. ‘For the other 19 hours it remains a black screen. We wanted to find a way for the TV to be used for 24 hours a day, so that the experience can be enjoyed all the time.’
The concept of The Frame TV was born. Employing state-of-the-art technology, Samsung’s 4K UHD is a thing of slender, high definition, picture-perfect beauty. With The Frame’s 4K Ultra HD certified technology, the screen delivers a viewing experience that is sharper and four times more detailed than conventional Full HD. Moving and static images come alive on your wall with both bright and dark scenes presented with incredible clarity. Created in collaboration with Yves Béhar, The Frame sits flush against the wall, just like professionally hung artwork, or on its elegant easel-style ‘Studio’ tripod stand. Thanks to Samsung’s ingenious Invisible Connection system, there are no ugly wires or cables visible.
A simple but handsomely executed picture-frame moulding (in your choice of finish, such as walnut, beige wood or white) raises the screen’s glass to art-gallery standard and when The Frame is not in conventional operation – streaming films or catching up on broadcast news channels – it can be switched to ‘Art Mode’. So, instead of fading to a dull black box, The Frame’s display transforms into a work of contemporary art, with users granted access to more than 100 custom-designed digital images. Samsung is also partnering with galleries, museums and artists to help users curate their own gallery of pictures.
Mindful of avoiding needless energy consumption, The Frame’s motion and light sensors turn off the screen when there’s no activity in the room. The screen adjusts the brightness and colour settings of the display based on ambient light levels, which means that the art work displayed looks like real art and personal photos match their original colour and brightness settings.
In the first of our short, Wallpaper* + Samsung film series, documenting The Frame’s design journey and interviewing some of the artists and curators collaborating on its artwork library, Kang talks about ‘a new screen experience’.
‘The Frame caters to a new type of lifestyle,’ he says. ‘For Samsung, it is not just about the technology. We focus on understanding future trends and lifestyles, designing in a new way. The whole design process is supported by Samsung separately from the technology. We approached it from the user’s perspective and provided a solution to the black screen. Our goal is to get involved in people’s lives in a meaningful way. We wanted to make a product that was cooler than anything else out there.’ The Frame is television reborn, cool and minimal, exhibited as contemporary art in your personal gallery space.