Anya Hindmarch's transformative S/S 2017 set

When it comes to London Fashion Week theatrics, Anya Hindmarch is renowned for her high-tech sets – from flashing lights to moving runways – but this season the designer quite literally broke through her own glass ceiling

By Jack Moss
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Working with set designer Stuart Nunn and Inca Productions, mechanical hydraulics lifted the lid off Anya Hindmarch’s S/S 2017 ‘Circulus’ collection to reveal a spiraling pit-cum-sunken amphitheatre. Models entered and exited from both the centre of the spiral and the top of the set, as its hovering ‘lid’ changed colours like a setting sun, tilting at will.

For the labyrinth-like show’s conclusion, the lid was once again replaced as though Hindmarch’s neoprene coated models’ had succumbed to its geometric void. Videography: Antonio Camera

Jack Moss
Fashion Features Editor

Jack Moss is the Fashion Features Editor at Wallpaper*, joining the team in 2022. Having previously been the digital features editor at AnOther and digital editor at 10 and 10 Men magazines, he has also contributed to titles including i-D, Dazed, 10 Magazine, Mr Porter’s The Journal and more, while also featuring in Dazed: 32 Years Confused: The Covers, published by Rizzoli. He is particularly interested in the moments when fashion intersects with other creative disciplines – notably art and design – as well as championing a new generation of international talent and reporting from international fashion weeks. Across his career, he has interviewed the fashion industry’s leading figures, including Rick Owens, Pieter Mulier, Jonathan Anderson, Grace Wales Bonner, Christian Lacroix, Kate Moss and Manolo Blahnik.

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