’Panorama’ at the Vitra Design Museum offers a 360-degree view of designer Konstantin Grcic’s work and inspiration

Interior of room with black metal chairs and panoramic view
The 'Panorama' is a partnership between Konstantin Grcic and Germany's Vitra Design Museum in Weil am Rhein, showcasing the designer's career from all manner of conceptual angles
(Image credit: TBC)

As the title suggests, 'Konstantin Grcic: Panorama', opening today at The Vitra Design Museum, is a sweeping overview of Grcic's career: a career that has established him as the reigning champ of a new poetic rationalism.

The Hugo Boss-sponsored exhibition, a collaboration between Vitra and Grcic and years in the making, doesn't attack this career in a straight ahead chronological way, but rather at conceptual angles. It picks up on key themes and asks the same questions that Grcic has asked and tried to answer in his work… the questions he keeps asking.

'Life Space', the first section of the show, asks what it really means to live 'somewhere' now; and if we are all increasingly mobile, can we simply take that space with us? Furthermore, how do you create a space that allows for networking, communication and contact - through all the mediums that now offer that - as well as peace, solitude and solace?

'Work Space' tries to get at Grcic's creative process, taking us inside a studio, or hi-tech science lab that contains seemingly random inspirational objects. The space also asks, what does the rationalist modernist do when the job of trying to make people's lives work better has to accommodate competing demands? When the idea of a benevolent design god offering one solution for the common good is dead?

'Public Space' meanwhile, spins around a 30 metre long, 4.5 metre high, digital image produced by artist Neil Campbell Ross. Here are multiple images of what's out there, for better or worse, the old and the new, nature and the city, utopia and dystopia, the unholy mess of the common land. What, it asks, is the designer to do with it, what is a useful intervention?

'Object Space', on the other hand, is biography through object - Grcic's own designs that have inspired him. It is CV and wunderkammer and suggests where Grcic might head next.

Black and white photo of Konstantin Grcic

Konstantin Grcic who has established himself as the reigning champ of a new poetic design rationalism. Photography: Markus Jans

(Image credit: Markus Jans)

Interior of office spaces with chairs and desks

The exhibition's first room 'Life Space' asks what it really means to live 'somewhere' now; and if we are all increasingly mobile, can we simply take that space with us?

(Image credit: TBC)

Interior of studio with abstract objects

The second room 'Work Space' tries to get at Grcic's creative process, taking us inside a studio, or a hi-tech science lab that contains seemingly random inspirational objects

(Image credit: TBC)

Panoramic photo of a public space and view

A panormaic image of 'Public Space', featuring a wrapping digital image produced by artist Neil Campbell Ross. Photography: Florian Böhm

(Image credit: Florian Böhm)

Designs and objects on white bench

Room 4: 'Object Space' is essentially biography through object, tracing Grcic's own designs. Photography: Florian Böhm

(Image credit: Florian Böhm)

Objects on white shelf and broom

'Object Space' also acts as a CV and wunderkammer. Photography: Florian Böhm

(Image credit: Florian Böhm)

Black framed chair

'Chair One', a 2004 design by Grcic. Photography: Andreas Sütterlin

(Image credit: Andreas Sütterlin)

ADDRESS

Vitra Design Museum
Charles-Eames-Straße 2
79576 Weil am Rhein, Germany

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