Whitechapel Gallery
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Tech-tonic: ’Electronic Superhighway’ charts the shifting landscape of computer-art
By Elly Parsons Last updated
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A tribe of Emma Hart's decapitated ceramic skulls swing into the Whitechapel gallery
By Elly Parsons Last updated
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Daniel Lie ignites the senses at Jupiter Artland
There’s something in the air as the Brazilian-Indonesian artist gears up with a new commission for the Edinburgh sculpture park and gallery
By Harriet Lloyd-Smith Last updated
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Sleepless in Shoreditch: London Art Night attracts the midnight masses
By Elly Parsons Last updated
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Artist Laure Prouvost's solo show at London's Whitechapel Gallery
By Ellen Himelfarb Last updated
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Iwona Blazwick on 120 years of Whitechapel Gallery
As Iwona Blazwick announces she will step down after 20 years as director of Whitechapel Gallery in April, we look back on our 2021 story to mark the gallery’s 120th anniversary, for which Blazwick shared her pick of its most influential shows
By Harriet Lloyd-Smith Last updated
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Is This Tomorrow? Artists and architects revisit Whitechapel Gallery’s seminal postwar exhibit
By Benoit Loiseau Last updated
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Theaster Gates: London, urban reform and exemplars of Black excellence
The American artist and urban planner returns to London for a cultural takeover on a grand scale, and – as one of five visionaries invited to nominate creative leaders of the future for ‘5x5’, Wallpaper’s 25th anniversary project – picks five exemplars of Black excellence leading the way for social and creative change
By TF Chan Last updated
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Emma Talbot explores Greek myth and femininity at Whitechapel Gallery
In ‘The Age/L’Età’, her Max Mara Art Prize show at Whitechapel Gallery, Emma Talbot imagines a reality where violence is overturned by resolution, nurtured by an elderly female protagonist
By Martha Elliott Last updated
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Scottish painter Peter Doig named the 2017 Whitechapel Gallery Art Icon
By Elly Parsons Last updated
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Emma Talbot on optimism, feminism and reconfiguring the roots of power
The British artist and winner of the eighth Max Mara Art Prize for Women illuminates Piccadilly Circus with optimism and confronts perceived shame around female ageing
By Harriet Lloyd-Smith Published