Human Nature: Chamber's second collection brings a wild touch to the design world

the natural world
Under the artful eye of photographer/filmmaker Andrew Zuckerman, Chamber's second collection is made up of exquisite design pieces that articulate the relationship between humans and the natural world 
(Image credit: Fran Parente)

New York’s design gallery Chamber has quickly established itself as a landmark in the city’s design landscape not only through the impressive roster of designers it represents, but also in the innovative way it programs its space. Each year, it enlists a guest curator to come up with a yearlong Collection (last year, it was Studio Job), interspersed with capsule collections that have shorter runs.

To curate its new collection, Chamber turned to Andrew Zuckerman, a photographer and filmmaker based in New York, who (as a self-described design neophyte) was able to approach the subject with a fresh eye. ‘I’ve looked at a lot of design over time where you needed historical references to understand it,’ he explains. ‘I tried to vacuum all of that stuff out of this show.’

The resulting collection, ‘Human | Nature,’ which will roll out in three separate chapters, brings together objects that each engage the relationship between humans and the natural world. ‘All the pieces included in the show represent people who are making things in an effort to process where they are in the world and what their relationship to nature is,’ explains Zuckerman. ‘If we are standing on the beach looking at the ocean, we all have the same response—that this world is so much vaster than ourselves. A lot of artists and designers are processing that question in their work.’

Throughout the exhibit, Zuckerman conveys that message in different ways. At the center of the MOS-designed space, Alexandra Kehayoglou’s rug, Pastizal, conjures up a vision of forested lake country. Adjacent to it, a newly commissioned gray sofa by KiBiSi + Versus provides a foil to the rug. (‘It feels like a stone wall at the edge of a field,’ Zuckerman points out.) Ika Künzel’s ‘Lasso’ saddle, and three of Brian Persico’s handmade bows— Scythian, Mongolian, and Longbow—with Fort Standard’s ‘Implements for Fire’ suggest the ways in which us humans might inhabit this imagined landscape.

For Zuckerman, the concept of nature is more than just a sublime expanse, as the inclusion of NASA’s lunar rake would seem to indicate. To emphasize that point, he commissioned Azuma Makoto to make a paludarium, which takes pride of place in the gallery’s front window. ‘It’s this extraordinary closed ecosystem—an amazing contrast between nature and technology,’ says Zuckerman. 

stunning rugs

Amongst the wonders on display are NASA's Moonrake, a selection of bows by Brian Persico and one of Alexandra Kehayoglou's stunning rugs

(Image credit: Fran Parente)

Zuckerman

Zuckerman, a self-described design neophyte, was able to approach the subject with a fresh eye. ‘I’ve looked at a lot of design over time where you needed historical references to understand it,’ he explains. ‘I tried to vacuum all of that stuff out of this show.’ 
(From left to right): Chen Chen Kai Williams' tea set are displayed alongside an assortment of clay boxes by Tim Rowan, and Porzellan Manufaktur Nymphenburg's 'Stag At Trunk'

(Image credit: Fran Parente)

chair

The collection, which includes pieces commissioned especially for the gallery, speads out through the MOS-designed space like an imaginary landscape
(From left to right): Marlene Huissoud's 'Bee Vase', Alexandra Kehayoglou's 'Pastizal' rug, Sanghyeok Lee's 'Useful Chair', Lawrence Forcella's 'God Of Insects' and Ika Kunzel's 'Lasso' saddle

(Image credit: Fran Parente)

Bavaria Triptych Mirror

The exhibition also includes Studio Job's 'Bavaria Triptych Mirror' - an homage their role in curating Chamber's first collection

(Image credit: Fran Parente)

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