At the ripe old age of 75, Italian architect and designer Gaetano Pesce shows no sign whatsoever of slowing down. Now on his plate is a stunning exhibition devoted to his latest work as well as his design, drawings, signature maquettes and drawings harking back to the 1960s at the SoHo Allouche Gallery. 'Gaetano Pesce: One of a Kind Iconic Works 1967-2015' pays homage to his distinctive artistry.
'Gaetano's always been a living legend when it comes to art, architecture, design and sculpture,' says dealer Eric Allouche. 'But this new show will further cement his artistry on the global axis,' he says.
Talk about ahead of the curve oeuvre. Pesce blazed a trail in his use of foam, resin and urethane early on. What else has been the driving force for Pesce, whose work crosses the figurative and abstraction? 'I've always believed that my art must frequently address critical issues of today,' says Pesce. Take his politically charged 1968 UP 5 + 6 Chair, which resembles a huge seated female figure chained to a ball. 'I wanted to demonstrate that women are political prisoners of men,' says Pesce. While the maquette is in foam, the full scale version in wood is also on view.
For him, nothing is cookie cutter. 'Repetition to me is boring and repressive so each example is unique,' he says.
Saturated color is another hallmark of Pesce and a sense of playfulness can be the norm. His 2006 Fish Table evidences that to perfection with the top in the shape of fish drenched in brilliant blue. Then his Fuoco Vase in searing orange and yellow resin approximates a candle dripping wax. 'Color is essential as it's so expressive of emotion,' says Pesce.
Even his lighting is revolutionary. Take his 2013 Kid Lamp with the shade alike a tangle of hair in resin.
Aside from his work in the hallowed halls of such noted museums as the Louvre, London's V & A Museum and the Metropolitan Museum of Art, A-list collectors who have plucked up his work include mega dealers Jeffrey Deitch and Adam Lindemann as well as fashion designers Domenico Dolce and Stefano Gabanna.
With the gallery opening set for this evening, Allouche expects a huge crowd. 'The exhibit will rein in entire new batches of collectors far beyond those who covet design,' he says.
Many of Pesce's have a distinctly poiltics flavour, such as 1968 UP 5 + 6 Chair, which resembles a huge seated female figure chained to a ball, pictured here as a maquette.
Saturated color is a hallmark of Gaetano Pesce's novel approach to design. His tonality runs from sea blues and emerald greens to flaming reds, as in his fiery Fuoco Vase. Courtesy of Gaetano Pesce's Office;
Also on show at the Allouche Gallery is the UP 5 + 6 full-scale chair in wood.
Zoomorphic shapes like his Fish Table, which stretches thirteen feet across, are also part of his quixotic vocabulary.
The 2013 Kid Lamp, with its hair-like tangle of resin as a shade. Courtesy of Gaetano Pesce's Office;
Dealer Eric Allouche has paired Pesce's design with his works on paper like the 1977 'Church of Solitude' with its cloud-like forms, one of which is in the permanent collection of the Museum of Modern Art.
ADDRESS
115 Spring Street
New York, NY 10012
-
Gucci’s ‘Design Ancora’ reimagines furniture classics in rich redGucci launches new editions of Italian design icons in an alluring deep red, showcased during Milan Design Week 2024
-
Loewe’s Jonathan Anderson drafts artists to create 24 extraordinary lamps at Milan Design Week 2024Loewe creative director Jonathan Anderson commissioned international artists and artisans to explore ‘illumination within the house’ with a series of lamps and lighting installations, shown at a group exhibition at Milan Design Week 2024
-
What are polynucleotides? Trying the skin injectable made from salmon spermPolynucleotides are the latest in skin injectables, containing DNA derived from the gonads of salmon. Wallpaper* Beauty & Grooming Editor Hannah Tindle tries them to discover exactly how they work
-
The Met’s ‘The Real Thing: Unpacking Product Photography’ dissects the avant-garde in early advertisingA new exhibition at The Metropolitan Museum of Art in New York explores the role of product photography and advertising in shaping the visual language of modernism
-
Tony Notarberardino’s Chelsea Hotel Portraits preserve a slice of bygone New York life‘Tony Notarberardino: Chelsea Hotel Portraits, 1994-2010’, on show at New York’s ACA Galleries, is the photographer’s ode to the storied hotel he calls home and its eclectic clientele
-
‘LA Gun Club’: artist Jane Hilton on who’s shooting who‘LA Gun Club’, an exhibition by Jane Hilton at New York’s Palo Gallery, explores American gun culture through a study of targets and shooters
-
Detroit Institute of Arts celebrates Black cinema‘Regeneration: Black Cinema 1898-1971’ at the Detroit Institute of Arts (DIA) brings lost or forgotten films, filmmakers and performers to a contemporary audience
-
BLUM marks 30 years of Japanese contemporary art in AmericaBLUM will take ‘Thirty Years: Written with a Splash of Blood’ to its New York space in September 2024, continuing its celebration of Japanese contemporary art in America
-
Todd Gray’s sculptural photography collages defy dimension, linearity and narrativeIn Todd Gray’s New York exhibition, he revisits his 40-year archive, fragmented into elaborated frames that open doors for new readings
-
Frieze LA 2024 guide: the art, gossip and buzzOur Frieze LA 2024 guide includes everything you need to know and see in and around the fair
-
New York artist Christopher Astley showcases an alternative natural worldAt Martos Gallery in New York, Christopher Astley’s paintings evoke an alternative natural world and the chaos of warfare (until 16 March 2024)
