The Deutsche Börse Photography Prize, London

The Deutsche Börse Photography Prize
Thomas Demand Heldenorgel, 2009. New York
(Image credit: © Thomas Demand, VG Bild-Kunst, Bonn / DACS, London Courtesy Sprüth Magers Berlin, London/ Esther Schipper, Berlin/ Matthew Marks Gallery)

The Deutsche Börse Photography Prize is awarded annually to a living photographer for the most significant contribution to photography in Europe. This year's shortlist illustrates the diversity of the photographic medium, ranging from neo-conceptual to social documentary, with all four finalists worthy and dissimilar - which makes for a close and unpredictable running.

First up is Thomas Demand, nominated for his retrospective at Neue Nationalgalerie in Berlin, which included over 40 large-scale works spanning 15 years. Demand chose to show one photograph from the nominated exhibition, but it dominates the space with sheer scale. Heldenorgel (Heroes' Organ) is a photograph of a three-dimensional 1:1 paper replica of a freestanding church organ. The instrument lives on the German-Austrian border and was built in 1931 to commemorate WWI casualties. The same haunting tune has been playing every day at noon for over 80 years. With 4,307 pipes and 46 registers, it is the largest open-air organ in the world. It took nearly three months to construct a paper replica.

Then there's Jim Goldberg, nominated for Open See at The Photographers' Gallery. A self-described 'documentary storyteller', he combines Polaroids, video, text, ephemera and large and medium format photographs to document the experiences of what he calls 'new Europeans' - illegal immigrants, refugees, displaced people and asylum seekers from Africa, the Middle East and Eastern Europe.

A man running in water

(Image credit: press)

Miami-born Roe Ethridge is nominated for his solo exhibition at Les Rencontres d'Arles in France. He playfully addresses the redundancy of the image and the impossibility of photographic originality. His large-format colour photographs are composited from any mad thing he decides to include, e.g. magazine work (Old Fruit); a magnified and grainy close-up of a sticker on his daughter's notebook (Pumpkin Sticker).

A dancing girl's feet

(Image credit: press)

The individual images remain inconclusive and deadpan, revealing nothing. In this way, Ethridge composes visual fugues that acquire their meaning from the seemingly random way they have been grouped, shuffled and arranged in nonlinear narrative sequences.

Elad Lassry is nominated for his first comprehensive institutionalized exhibition, self-titled at Kunsthalle Zurich, Switzerland. Lassry intersperses small-scale portraits, still lives and filmic works, each mounted at eye level and contained in uniform 11 x 14 picture frames. The tacky frames are painted to match the singular dominating colour within the oversaturated picture plane.

An image of a man smiling

(Image credit: press)

Lassry's objective is the instability and suspension of the image, to expose new possibilities of depiction and duplication. He constantly shifts between original and found materials to build collages of pre-existing imagery and allude to the language of product photography. He opens a conversation between photography and moving image to consider ideas of authorship and appropriation, and to change the standard questions that are asked about images.

A man with his radio


(Image credit: © Jim Goldberg / Magnum Photos)

Jim Goldberg
Democratic Republic of Congo, 2008

His radio is the sole possession that he took with him while escaping a rebel attack in his village. He now lives in a refugee camp with 60,000 other people where poverty, disease, and crime run rampant.

Man at a recruitment center

(Image credit: © Jim Goldberg / Magnum Photos)

Jim Goldberg
Bangladesh. Dhaka. 2007

Man at a recruitment center.

Two detained Afghani refugees point to the refrigerator on which they wrote The Sea of Sadness has no shore


(Image credit: © Jim Goldberg / Magnum Photos)

Jim Goldberg
Greece. Lavrio. 2005

Two detained Afghani refugees point to the refrigerator on which they wrote (approximate translation) 'The Sea of Sadness has no shore'. (Their English translation is 'in the open see (sic) dont have border') Lavrio Detention Center

The Deutsche Börse Photography Prize, London

(Image credit: © Jim Goldberg / Magnum Photos)

Jim Goldberg
Bangladesh. Dhaka. 2007.

Drug addicts.

Girl dancing in a ballet studio


(Image credit: © Roe Ethridge/ Courtesy of Greengrassi London/ Andrew Kreps Gallery,)

Roe Ethridge Ballet Studio (Casia), 2009

 New York/ Mai 36 Gallerie, Zurich

Comme des Garcons with Casia and Apple Bees


(Image credit: © Roe Ethridge/ Courtesy of Greengrassi London/ Andrew Kreps Gallery)

Roe Ethridge
Comme des Garcons with Casia and Apple Bees, 2010

 New York/ Mai 36 Gallerie, Zurich

The Deutsche Börse Photography Prize, London

(Image credit: © Roe Ethridge/ Courtesy of Greengrassi London/ Andrew Kreps Gallery)

Roe Ethridge
Thanksgiving 1984, 2009

 New York/ Mai 36 Gallerie, Zurich

New York Whiskey and Cigarettes

(Image credit: © Roe Ethridge/ Courtesy of Greengrassi London/ Andrew Kreps Gallery,)

Roe Ethridge
New York Whiskey and Cigarettes, 2009

New York/ Mai 36 Gallerie, Zurich

An image of a smiling man


(Image credit: © Elad Lassry/ Courtesy of David Kordansky Gallery,)

Elad Lassry
Man 071, 2007

 Los Angeles, CA

Shades of Lipstick

(Image credit: © Elad Lassry/ Courtesy of David Kordansky Gallery,)

Elad Lassry
Lipstick, 2009

Los Angeles, CA

A cat with kids

(Image credit: © Elad Lassry/ Courtesy of David Kordansky Gallery,)

Elad Lassry
Wolf (Blue), 2008

 Los Angeles, CA

An image of wolf

(Image credit: © Elad Lassry/ Courtesy of David Kordansky Gallery,)

Elad Lassry
Burmese Mother, Kittens, 2008

 Los Angeles, CA

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