Fab 40: 032c Museum Store, Berlin
An exhibition space designed and curated by German industrial design demagogue Konstantin Grcic and Joerg Koech, editor of the bi-annual contemporary art mag of the same name, which recently gave the world Agnyess Deyn as a naked cover star. It's housed in a former guest house for the East German government, with visitors navigating their way around filigree partitions that remind you of a snowstorm of knives (cutting edge, much?).
Exhibitions vary from the grand archives of Hedi Slimane and Helmut Lang, to picking apart through pocket exhibitions the odd selection of work lamps. After the publication of the latest issue of the magazine, the exhibition space is being upgraded ready for a fresh spate of shows in the spring.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox
Harriet Lloyd-Smith was the Arts Editor of Wallpaper*, responsible for the art pages across digital and print, including profiles, exhibition reviews, and contemporary art collaborations. She started at Wallpaper* in 2017 and has written for leading contemporary art publications, auction houses and arts charities, and lectured on review writing and art journalism. When she’s not writing about art, she’s making her own.
-
Herbar’s barrier cream repairs skin damage using medicinal mushrooms
Herbar has launched The Barrier Cream, which harnesses the healing power of mushrooms and adaptogens to repair, soothe and protect the skin barrier
By Hannah Tindle Published
-
The new Renault 5 E-Tech’s design secrets and designer dreams revealed
Wallpaper* talks to Renault’s Laurens van den Acker and Gilles Vidal about how they shaped the eagerly awaited Renault 5 E-Tech
By Guy Bird Published
-
Anselm Kiefer's vast mixed media works take over Venice's Palazzo Strozzi
A new exhibition, 'Fallen Angels,' sees Anselm Kiefer present a combination of old and new works that reflect Palazzo Strozzi's unique position within the Florentine Renaissance
By Finn Blythe Published
-
Lawrence Lek’s depressed self-driving cars offer a glimpse of an AI future in Berlin
Lawrence Lek’s installation ‘NOX’, created with LAS Art Foundation, takes over Berlin’s abandoned Kranzler Eck shopping centre
By Emily Steer Published
-
Ryoji Ikeda and Grönlund-Nisunen saturate Berlin gallery in sound, vision and visceral sensation
At Esther Schipper gallery Berlin, artists Ryoji Ikeda and Grönlund-Nisunen draw on the elemental forces of sound and light in a meditative and disorienting joint exhibition
By Harriet Lloyd-Smith Published
-
Royal College of Physicians Museum presents its archives in a glowing new light
London photography exhibition ‘Unfamiliar’, at the Royal College of Physicians Museum (23 January – 28 July 2023), presents clinical tools as you’ve never seen them before
By Martha Elliott Published
-
Museum of Sex to open Miami outpost in spring 2023
The Museum of Sex will expand with a new Miami outpost in spring 2023, housed in a former warehouse reimagined by Snøhetta and inaugurated with an exhibition by Hajime Sorayama
By Harriet Lloyd-Smith Published
-
Monica Bonvicini ‘I do You’ review: bondage, mirrors and feminist takes on masculine architecture
Emily McDermott reviews Monica Bonvicini’s much-anticipated exhibition ‘I do You’ at Berlin’s Neue Nationalgalerie
By Emily McDermott Last updated
-
Anne Imhof ‘Avatar II’ review: a psychological thriller to make you wince and wonder
German artist Anne Imhof’s ‘Avatar II’ exhibition at London’s Sprüth Magers is a compelling, uncanny probing of contemporary culture, reality and artifice
By Harriet Lloyd-Smith Last updated
-
Artist Ian Cheng explores the technological and aesthetic potential of AI
In Berlin’s cavernous Halle am Berghain, New York-based artist Ian Cheng plunges viewers into an immersive world of AI and existential anime in ‘Life After BOB’
By Will Jennings Last updated
-
‘Light & Space’ at Copenhagen Contemporary: ‘moving art without moving elements’
On view until 4 September, epic group show ‘Light & Space’ explores the past and present of the iconic light and installation art movement. It’s physical, emotional, bodily and disorientating
By Jeni Porter Last updated