Corporeal company: Random International explores movement with robots and mirrors

Fragments
How much information does one need to recognise another human? This and other questions are explored in Random International's playful new exhibit at Pace Gallery New York. Pictured: Fragments
(Image credit: TBC)

How much visual information does one need to discern another moving human? What is the relationship between man and machine? These abstruse questions yield surprisingly playful answers in ‘On the Body’, a new exhibition by Random International at the Pace Gallery in New York. Hannes Koch and Florian Ortkrass, the founders of  the Berlin- and London-based contemporary design studio, showed six new interactive pieces from the past two years.

Arranged chronologically, the show highlights two of the firm’s latest projects: Fifteen Points, a robotic sculpture that executes a rather jaunty walk through LED lights; and Blur Mirror, a reflective work composed of tiny tiles that cloud the face of one’s reflection. For Fifteen Points, Koch and Ortkrass worked with the BioMotion Lab at Queen’s University to translate the data of the ‘average human walk’ into a mechanised movement. ‘We were interested in the secondary information one gets through miniscule changes like emotions or gender,’ Koch says. (Fifteen Points reads as male and appears to be happy, as far as robots go.) Blur Mirror is described by the pair as ‘very analogue – we manipulated the mirrored tiles to vibrate at a high-speed to give the appearance of a digitised experience even though it is a mechanical process’.

Other pieces in the exhibition evolved out of Random International’s collaboration with choreographer Wayne McGregor in 2010 and further explore the body’s movement. For example, Small Study / I (FAR) lights up in response to motion and its thick layers of lights and panels invite the viewer to interact with it on multiple sides. Conversely, Fragments, a grid of 200 square mirrors, physically tilts and turns to follow its viewers. As a whole, the exhibition explores light, shadow, motion and the human perspective in an up-close, personal way. ‘We like to create one-on-one experiences where the person has a very intimate encounter with the work,’ Ortkrass concludes.

Blur Mirror

Blur Mirror, one of the firm's latest projects, manipulates tiles to make them vibrate at high speed, giving the viewer the appeareance of a digitised experience

(Image credit: TBC)

Fifteen Points

A study for Fifteen Points, a robotic sculpture that executes a rather jaunty walk through LED lights

(Image credit: TBC)

Fifteen Points

For Fifteen Points, Koch and Ortkrass worked with the BioMotion Lab at Queen’s University to translate the data of the ‘average human walk’ into a mechanised movement

(Image credit: TBC)

Fragments

Fragments comprises a grid of 200 square mirrors, physically tilting and turning to 'follow' the viewer

(Image credit: TBC)

Small Study / I (FAR)

Small Study / I (FAR) lights up in response to motion. Its layers of lights and panels invite the viewer to interact from multiple approaches

(Image credit: TBC)

Other pieces in the exhibition

Other pieces in the exhibition evolved out of Random International’s collaboration with choreographer Wayne McGregor in 2010 and further explore the body’s movement

(Image credit: TBC)

INFORMATION

‘On the Body’ is on view until 22 October. For more information, visit the Pace Gallery’s website

ADDRESS

Pace Gallery
537 West 24th Street
New York, NY 10001

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